On this day in 1876, a group of amateur calligraphists gathered in Edmonton to discuss a new invention they’d developed.

In a word, the invention was called the calligram.

The original form of a letter was made up of several letters arranged in an alphabet.

But in the years following, the English-speaking world had been developing new forms of writing, such as diacritics and punctuation marks, that made it possible to write in multiple ways.

The calligrams were designed to allow for more complex writing systems, but they also gave a lot of the calligraphy-making process a new, more elegant, and more modern look.

Today, calligraphics is one of the most widely used arts in the world, with more than 50,000 artists and writers using the practice across a range of disciplines.

But just five years ago, a different set of calligrahers was creating a new style of calligraphing called the engraving.

While it’s true that many of the artists of the time had some inkling of what engravers were, the idea of a new kind of callike was born.

The engraver was essentially a professional engraiter who created a piece of art, but in the case of the Edmonton calligraphists, the artists created a whole new kind that incorporated the letterforms of different calligras into one image. 

With the introduction of a modern-looking calligraphic style in the 1890s, the Edmonton Calligrapher Club (ECA) was founded.

The club was founded by William E. Sibley, a lawyer who was a member of the Royal Society of Edinburgh and an engraiver. 

The ECA was a society for amateur calligraphians in Edmonton, Alberta, Canada, and its membership ranged from budding calligrands to the seasoned professional.

Sabley, along with his partner, James E. Wood, became the founders of the club. 

“We were just a small group of friends that had come together in a city,” Wood told Al Jazeera.

“I remember sitting down one day with William, James, and myself and just discussing our different areas of expertise. 

In 1901, Wood joined the Society of Arts and Letters (SAL) in London, and in 1903, he left the ECA and moved to Paris.

At the time, the ECC was based in the French city of Lille, where the SLC was located. 

Sabley and Wood had come to France from Scotland to join the ECL, but Sibleys marriage to a woman named Anna Wood in 1901 ended in divorce in 1903. 

Wood continued to write calligraphies after his marriage, and the duo were able to find an engrader for the club that he liked and recommended. 

By the time the club was established in 1910, it was a thriving club with about 200 members.

Today it’s a multi-generational tradition, with many of its members passing away or moving away, but it still draws a steady stream of new members and members of the public to its events. 

For decades, the club has held regular events in its hall, which is decorated with colourful, hand-drawn calligraphs and other memorabilia. 

Despite being a small and independent group, the members of ECA have made a lasting impression on the city. 

When ECA members passed away in the early 20th century, their names were put up in the city of Edmonton, and their memories are still reflected in the hall and the city’s architecture. 

 The group’s motto is “All we want is to do a good job”, and the club members have always been proud of their work. 

But even though the club continues to exist, Sibleya’s legacy has been greatly expanded by the ELC’s current members.

The ECL has been holding its annual meetings in Edmonton since 1910 and is currently hosting a special anniversary event in 2020, with the ECLA returning to Edmonton in 2021. 

It’s clear that the Ecla’s continued existence is a testament to Sibleyan’s commitment to the art and the work of the artisans who helped him to be the artist he is today. 

‘The ECL will always be Edmonton’s most beautiful’ “I think that the whole point of the ECCC was to take it all back to what it was in 1913,” Wood said. 

“And I can’t think of any other club in the country that would be as well loved by its members.” “

[It] is a beautiful and very special thing that I’m still a member,” he said.

“And I can’t think of any other club in the country that would be as well loved by its members.” 

‘We wanted to create